Saturday, August 3, 2019
censorship :: essays research papers
 Principles of Censorship in Singapore       Administration of censorship in Singapore has   been performed in a typically methodical manner   with guidelines developed through experience.[8]       First, materials going into the home are more   heavily censored than those going into the corporate   world. The Singapore authorities have drawn a   distinction between information for business uses,   which should be as free flowing as possible, and   information for non-business uses. Information for   the home is seen to be of a less critical nature so   censorship of such information is regarded to have   not as deleterious an effect.        Second, materials for the young are more heavily   censored than those for adults. This is an admittedly   paternalistic principle of protecting the weaker   members of society from the possible harm of the   materials in question.       Third, materials for public consumption are more   heavily censored than those for private consumption.   This is a corollary of the second principle as it is   assumed that the public includes those who are   "weaker." Also, regardless of the level of censorship   those who are determined can always get their hands   on them. Hence private consumption can only be   policed to a limited extent. Further, it is more   efficient to police public instead of private   consumption. It should be noted that private   consumption of censorship materials is still policed   in that those found in private possession of censored   materials can be convicted in court.       Finally, materials deemed to have artistic and   educational merit are less heavily censored. This is a   recently articulated principle and has been applied to   movies, which now have an R(A) or Restricted   (Artistic) rating.       In sum, censorship in Singapore has an element   of differentiation: home vs. business, children vs.   adults, public vs. private consumption. Further,   materials that can be shown to have some tangible   and wider benefit--such as for business, art and   education--are censored with a much lighter hand.   On the other hand, materials deemed to have less   tangible benefit--such as "pure entertainment"-- are   censored more heavily.       To be sure, some of these principles come into   conflict in the administration of censorship. The   concession to artistic materials is an admission of   one such conflict. On the Internet, however, the     					    
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